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Number: OOPUNIFR9818661

LE MAGNIFIQUE / LOUISIANE (CD)
Composed by: Claude Bolling

NEAR MINT - UNSEALED - ONLY ONE AVAILABLE

LE MAGNIFIQUE
1. La plaza (fete mexicaine) 2:24
2. Tatiana (glamourous) 2:54
3. Mexican paradise (alla cugat) 3:16
4. Concerto pour piano, tueurs et orchestre 2:46
5. Paris musette 1:37
6. Cleotiana (en son jardin) 1:33
7. Karpoff (l'ignoble) 4:47
8. Noches mexicanas 3:27
9. Pop mod 2:24
10. Ydille interrompue 4:06
11. Denouement et final 3:56

LOUISIANE
12. Louisiana waltz VOCAL: Dee Dee Bridgewater 5:05
13. Dixie-land 3:11
14. Virginie de Vigors 2:51
15. L'emancipation de Brent 2:53
16. Quadrille de Bagatelle 2:19
17. Cotton balls VOCAL: Baton Rouge Community Chorus 2:19
18. Chasse a l'homme VOCAL: Baton Rouge Community Chorus 3:09
19. Old New Orleans 4:46
20. Ingenue 3:00
21. Romantique et grave 3:14
22. Maitresse de Bagatelle 2:39
23. Dixie-land (final) 1:44
24. Louisiane (theme principal) 2:45

LE MAGNIFIQUE - In this parody of James Bond movies, a dullard of a spy novelist finds himself the subject of an English sociology student's term papers. She travels to his Paris apartment to do her research and their relationship is interspliced with episodes from the writer's newest book that features his popular hero Bob St. Clair, master spy and anithesis to the writer, and his lovely assistant Tatiana, (who is of course, the lookalike of the lovely student). The spy's nemesis is in reality, his pushy publisher. Stars Jean-Paul Belmondo, Jacqueline Bisset and Vittorio Caprioli. 1973

LOUISIANE - This epic story about a Louisiana plantation owner trying to hold on to her estate before, during, and after the American Civil War, a place ironically called "Bagatelle," rides on the illustrious fame of Tara and its more famous mistress in another Southern state. Virginia Tregan (Margot Kidder) comes back to Louisiana after finishing her schooling in France and is soon left without financial support when her father dies. Motivated by dire economic straits, she marries the owner of Bagatelle, but her real love turns out to be the steward (Ian Charleson). Husbands come and go while the steward remains in the background, and clich├ęd characters abound: a chamber-maid whose husband is tragically murdered for supporting the Abolitionists, an evil aristocrat who rapes and kills Tregan's daughter, and the matriarch herself. The original six hours of TV miniseries time was cut to a three-hour cinema format, but the downsizing in this Danielle Steele-type story also extends to the acting, cinematography, dialogue, and dramatic interest -- making it a bagatelle rather than a real gem. 1984

  
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