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Label:
Number: OOPPTO002

No. Tracks: 31
THE HAUNTED PALACE / THE PREMATURE BURIAL (CD)
Composed by: Ronald Stein

ONLY ONE AVAILABLE - NEAR MINT - UNSEALED

From the mind of Edgar Allan Poe (with a nod to H.P. Lovecraft) release of the original motion picture scores for THE HAUNTED PALACE and THE PREMATURE BURIAL, two classic horror epics directed by Roger Corman for American International Pictures.

Experience these TWO complete scores digitally remastered on ONE CD from composer RONALD STEIN, creator of music for such AIP classics as INVASION OF THE SAUCER MEN, NOT OF THIS EARTH and IT CONQUERED THE WORLD, Both scores have never been released in any format in nearly 40 years!

This deluxe package also includes a 16-page color booklet detailing the making of the film by noted film historian Ted Newsom and includes interviews with Roger Corman and horror legend Vincent Price. Also included are dozens of rare, never-before-published photographs, plus rare original poster art from around the world.

THE HAUNTED PALACE
1. American International Pictures Fanfare/Main Title
2. Arkham - The Haunted Palace
3. People of Arkham / Beautiful Zombie/Evil Portrait
4. Village Dusk Painting /Wheaton Creature
5. Vicious Ward/Mutant Circle
6. Stormy Night
7. Old Warlocks
8. Mysterioso
9. Tomorrow Morning/Death Of Wheaton
ce 10. I Promise/Find The Secret Door
11. Honoring Ann
12. Kerwin To The Rescue
13. Finale

THE PREMATURE BURIAL
14. Main Title
15. Basement Crypt
16. His Father's Tomb
17. Guy Remembers
18. The Dream [Part 1]
l 19. The Dream [Part 2]
20. Guy's Burial
21. The Mollie Torture
22. Guy's Funeral
23. Key To The Crypt
24. Guy's Choice
25. His Father's Vault
26. Three Murders
27. Emily Abducted
28. Guy's Revenge/Emily Buried
29. Guy Shot/Rest In Peace/Finale

BONUS TRACKS:
30. The Main TItle (Film Version) - THE HAUNTED PALACE
31. Main Title (Organ) - THE HAUNTED PALACE

THE HAUNTED PALACE - The Haunted Palace is a witches' brew of stories written by Edgar Allan Poe and H. P. Lovecraft—with the fine hand of sinister scenarist Charles Beaumont stirring the pot. Vincent Price plays two roles this time: A New England doctor burned as a sorcerer in 1745, and the dead man's great-grandson of 1855. Arriving in the village where his grandfather was killed, Price and his bride Debra Paget are shunned by the community. They are told that the mutant progeny of the "sorcerer"'s evil experiments are still roaming the countryside—with hulking manservant Lon Chaney Jr. a good example of these monstrosities. The longer he stays in the family mansion, the more Price is taken over by the spirit of his ancestor. The result: The possessed Price, together with Chaney and a warlock assistant, set about to create a mutant race to overtake the world. Concluding with the near-sacrifice of bride Debra Paget and the torching of the mansion, The Haunted Palace is a marvelous—and economically produced—exercise in Grand Guignol. 1963

THE PREMATURE BURIAL - Roger Corman's success with low-budget adaptations of Edgar Allan Poe tales continued with this third installment, the first to lack the commanding presence of Vincent Price. Instead, we have Ray Milland as tormented protagonist Guy Carrell, who is so traumatized by the death of his father — whom he believes was entombed alive after suffering a cataleptic attack — that he becomes convinced that he will meet a similar demise. Guy's mounting dementia rapidly undermines his recent marriage to the lovely Emily (Hazel Court), particularly after he begins the construction of a specially designed crypt rigged with numerous escape devices. Encouraged by Emily to face his fears, Guy decides to view his father's remains, to prove once and for all whether he died peacefully. When the crypt is opened, however, what he finds there is so horrifying that he succumbs to a cataleptic episode himself, which doctors misdiagnose as a fatal heart attack... and Guy's worst fear soon becomes a reality. Milland's performance conveys the requisite amount of hand-wringing torment (in the mode of The Lost Weekend), even if he fails to capture the manic intensity that Price brought to the other Poe films. Corman's deft direction, employing a rich palette of colors and superb widescreen compositions, is on a par with the series' finest installments. 1962

  
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